Nietzsche and 2001: A Space Odyssey (1968)

One of my favourite films

Celluloid Wicker Man

At this moment in time, I’m currently between two relatively heavy audio-visual essays.  The first (which is now finished and will be going online in segments from the end of the month) is about Andrei Tarkovsky’s film, The Sacrifice (1986) and how it has parallel aims with that of the Russian composer Scriabin and his unfinished work, Mysterium.  The second is looking at Stanley Kubrick’s 2001: A Space Odyssey (1968) and how Ligeti’s Atmospheres (through musical techniques and ideas) foreshadows Kubrick’s and Clarke’s narrative.

I’m not merely writing this article for a cathartic exercise but because the essays are starting to interlock and I’m finding that one is helping with the understanding of the other.  This is an understanding of the films rather than simply a flimsy use of academic excessiveness.  By applying the theories from one essay to the other, for the first time in a while, I…

View original post 766 more words

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s